Post by RS Davis on May 7, 2004 1:41:04 GMT -5
[glow=red,2,300]Brian Doherty Wrote:[/glow]
In modern America, attempts to suppress (especially if you already have a fan base) are a sure sign that you are heading not down a memory hole but to the toppermost of the poppermost. On the same day Moore chose to make news from Disney's "censorship," the news was also floating about an Israeli filmmaker refusing to make changes to his film Jenin, Jenin, on the Israeli 2002 offensive on the West Bank city of Jenin. Such changes might have helped rescind an outright ban on showing his film in Israel. Now that's censorship. But it is only censorship in one nation, and in a world of broadband where any media that can be reduced to digits and shot over wires, even that sort of pure state censorship will be more and more meaningless and ineffectual.
Are the allegations Moore is going to present in his forthcoming film true? Will he use his notorious shading techniques to tell the tale he wants to tell, and imply the evils he wishes to imply? Undoubtedly, it will be a mix of incontrovertible fact, questionable speculation, and even some verifiable lies. And undoubtedly a huge and universally accessible scrum of arguers, haters, and correctors, both educated and uneducated, will leap upon the film. Rather than smother it, this will merely help continue the lively, ubiquitous, multivoiced conversation we've all enjoyed (or sometimes decried) with increasing intensity since the Internet entered almost everyone's lives.
Michael Moore is annoying and something of a hypocrite and he doesn't get his facts straight. But his flourishing as a professional pain in the ass to the president of the United States, and his continued and continual thriving despite supposed "censorship" threats from purportedly all-powerful corporations, make him a glorious symbol of the still-living freedoms in what we can, without much in the way of irony, still call this Great Land of Ours.